Numerous recent discoveries in China of ancient tombs have greatly increased our knowledge of ritual and religious practices. These discoveries include excavated oracle bones, bronze, jade, stone and pottery objects, and bamboo manuscripts dating from the twelfth to fourth century BCE. Inscribed upon these artifacts are a large number of records of numerical sequences, for which no explanation has been found of how they were produced. Structural links to the Book of Changes, a divination manual that entered the Confucian canon, (...) are evident; yet, the algorithm described therein dates to the slightly later second to first century BCE. By combining archeological and statistical evidence, we propose a new methodology that enables us to reconstruct and test cleromantic techniques which can explain how these numerical sequences were generated. Dice and divination stalk use, either in combination or separately, appear in fact to have been underlying the rather stable numerical patterns in ancient China all the way back to the late Shang dynasty (1300–1046 BCE). Bringing to light such a long-standing technique, which awaits further confirmation from the ever-growing database of newly discovered numerical and textual records, can change drastically our understanding of early Chinese history and of the historical development of sophisticated arithmetical practices and the rationalization of chance. (shrink)

Inscriptions of Chin and the San-Chin, Chung-Shan, and Yen 晉與三晉金文及相關史事彙考. By Noel Barnard. 3 vols. Taipei: SMC Publishing inc., 2018. Pp. cxlvi + 867, xviii + 997, xiv + 1092. NT 15,000.

This article employs newly discovered Warring States texts to reexamine questions regarding the use of the word mother in the Laozi—did it refer to the feminine role of providing and caring for the descendants of an inherently male cosmic and social order or was it simply a metaphor for an abstract philosophical concept? The author reinforces the latter interpretation suggesting that Mother referred to that existential moment of temporal transition between the cycle of life and death.

This essay examines the language of the Heng Xian and suggests that the text purposefully plays with Ru-style rhetoric, particularly that associated with the “Heart Method” for self-cultivation. The playful rhetoric is reminiscent of writings collected in the Zhuangzi and the use of parables associated with fourth century BCE philosopher Hu Shi.