When I began to reflect on the ways of how I might begin this article, I remembered that, a little while ago, I had annotated a small book that I had found all the more interesting because it did not have the slightest scholarly pretensions. I had opened it more or less mechanically and found in it a passage, already underlined in pencil by myself, that seemed to me to offer an almost perfect approach for developing what was in my (...) mind: “ … i Veneziani, sopra i pali di larice, hanno edificato chiese e palazzi.” In fact, I could hardly have dreamed up a better metaphor, and in any case a more than adequate one, than that of those larches. They were produced in an Alpine environment and now, sunken into the lagoon, they served as the foundation of one of the most astonishing urban cultures that men ever conceived and built. (shrink)

“Frontier” is included in the general category of “limit” (limes: a road bordering a field). But what is at the origin of limit, frontier? An authority, a power that can exercise “the social function of ritual and social significance of the line, the limit whose ritual legitimizes passage, transgression” (Bourdieu, 1982, p. 121). The limit, a traced line, sets up an order that is not only spatial but temporal, since it not only separates a “this side” from a “that side” (...) but also a “before” and an “after”. This dual nature of the limit is at work in the myth of the founding of Rome. Any limit, any frontier, is intentional: it proceeds from a will; it is never arbitrary. Its legitimacy was originally established by a religious ritual and later, by a political procedure. (shrink)