Both in the fourth book of Cicero’s De signis (Verr. 2,4) and in the fourteenth book of Silius Italicus’ Punica, there are descriptions of the city of Syracuse at important points of the texts. In this paper, both descriptions are combined and for the first time thoroughly related. I discuss form and content of the accounts, show their functions in their oratorical and epic contexts and consider their similarities. The most important facets, where the descriptions coincide in, seem to be (...) their link to Marcellus’ conquest in the Second Punic War, the resulting precarious beauty of the city and the specifically Roman perspective on which these ekphraseis are based. (shrink)

Silius Italicus describes the mass panic in Rome during Hasdrubal’s invasion of Italy. In doing so, he also deals with the reaction of the senators. The nature of this description has not yet been fully understood in terms of content; Josef Delz even suggested changing the text. I argue for keeping the text and propose a new interpretation of the description: The author of the epic exaggerates the account of the historiographical source by having the Roman senators contemplate suicide and (...) reflect on its manner. As arguments for my interpretation, I draw on a parallel in Valerius Flaccus’ Argonautica (1.767–770), refer to the general importance of collective suicide in the Punica and relate this description to the conquest of Rome by the Gauls. (shrink)

This paper considers two scenes in Books 15 and 16 of the Punica of Silius Italicus: Hasdrubal’s celebration of the founding of Carthage with the ecphrasis of the general’s cloak (Sil. 15,410–440) and Scipio’s visit to the court of King Syphax (16,170–276). For both passages there are important reference texts in scenes of Vergil’s Aeneid and Statius’ Thebaid that have until now received no, or not enough, attention: Aeneas’ visit to the future Rome (Aen. 8,102–553) and the sacrifice of Eteocles (...) (Theb. 11,205–238). After a brief assessment of the historiographical basis, I set out the influence in content and language of these reference texts on the two scenes. Further, I consider the adaptation of other epic pre-texts in the ecphrasis of Hasdrubal’s cloak and propose a new interpretation: the ecphrasis links Hasdrubal to Ganymede, Polyphemus and Cacus, and Scipio with Jupiter, Odysseus and Hercules. The study highlights positive and negative aspects of the pre-texts and shows the ambivalent characterisation of Silius’ Scipio, who is associated both with positive figures (Hercules and Aeneas) and with the sinister Polynices. The shared reference of the two scenes of the Punica has a linking, framing and preparatory function. (shrink)