This essay revisits the question of alterations in Marx’s view of method from the 1857 “Introduction” to Capital. In the wake of the belated upsurge of interest in Marx’s notebooks of 1857–8, posthumously published as the Grundrisse, a dominant interpretation has been developed in Marx scholarship which characterizes the method of the “Introduction” as an ascent from the (transhistorical) abstract to the (historical) concrete and, upon such characterization, stresses the mature Marx’s departure from it. Rereading the 1857 “Introduction” with an (...) emphasis on the theoretical import of its examples, I argue, against this interpretation, that although this text does not provide a fully worked-out account of method, it nevertheless offers invaluable insights into some of the central methodological problems with which Marx was concerned and in response to which his dialectical method was developed. In particular, I highlight what could be called Marx’s critical historicist approach to the categories and argue that this approach, together with his specific understanding of the process of the reproduction of the concrete in thought, constitute the lasting pillars of Marx’s dialectical method, in the 1857 “Introduction” as well as in Capital. Finally, in a concluding section, I re-examine the methodological status of the commodity and argue that the post-1857 emergence of the commodity as Marx’s favourite starting point does not represent a fundamental change, or a reversal, in his view of method. (shrink)

This essay revisits Adorno’s relation to Marx through a reading of his recently translated seminar on Marx within the broader context of the two thinkers’ views on the dialectic. While Adorno’s critical comments in the seminar seem to be applicable to some of Marx’s bold assertions about Hegel’s dialectic, taken in isolation, they fail to challenge Marx’s more rigorous analysis of the dialectic, as presented in his introduction to the Grundrisse. Nevertheless, read alongside Adorno’s mature critique of identity, the text (...) of the seminar could be interpreted as pointing to a much more serious criticism of Marx, that is, the criticism of the primacy of economy that animates Marx’s dialectic from within. The essay is concluded with a warning against reducing Adorno’s position on Marx to his criticism of the primacy of economy, followed by a brief reference to the fundamentally transitory character of critical theory. (shrink)

Collecting data using an appropriate sampling technique is a challenging task for a researcher to do. The researchers will be unable to collect data from all possible situations, which will preclude them from answering the study’s research questions in their current form. In light of the enormous number and variety of sampling techniques/methods available, the researcher must be knowledgeable about the differences to select the most appropriate sampling technique/method for the specific study under consideration. In this context, this study also (...) looks into the basic concepts in probability sampling, kinds of probability sampling techniques with their advantages and disadvantages. Social science researchers will benefit from this study since it will assist them in choosing the most suitable probability sampling technique for completing their research smoothly and successfully. (shrink)

Introduction. A radical tendency in modern approaches to understanding the mechanisms of the brain is the tendency of some scientists to believe that the brain is a receptor capable of capturing thoughts; the nature of the occurrence of the thoughts themselves, however, is not to be clarified. However, speech expressing thoughts is undoubtedly the result of the work of the brain, so studies of the frequency structure of speech can be the basis for considering the material structure of the brain (...) as a kind of “antenna”. In this approach, the problem of noise protection against the background of the undeniable frequency similarity of speech and music appears to us from somewhat different positions. This study raises the question of how essential the overall height of the musical system is to the perception of music (are there musical systems that are harmful or useful, in terms of their effects on the psyche). This question is also relevant to speech perception.Methodology and sources. The main sources in which the work of the brain and the essence of consciousness are considered from the positions indicated above were for us the work of American and British neurophysiologists and psychiatrists (Sam Parnia, Peter Fenwick). These scientists are studying the phenomena that accompany clinical death, and argue that at these moments the brain functions to the greatest extent as a receiving “antenna”. Assuming that any antenna is to be tuned, we are trying to identify possible ways to “tune” the brain. To do this, we propose to study the frequency characteristics of speech (in the simplest case, when singing vowels in a calm state) for their belonging to a particular musical system, as well as the peculiarities of music perception depending on the musical system (on the height of the note “la”). Varying the frequency characteristics of speech in a particular musical system can be considered, in our opinion, the main way to “tune” the brain. The methodology of the method is based on the use of frequency analysis of sound and the basic provisions of the elementary theory of music.Results and discussion. The main conclusion made by Western psychiatrists is the brain is not an organ of thought, consciousness exists independently from outside, the work of consciousness cannot be explained by the functioning of the brain – it requires a hardware check. If the neural network is an “antenna” that captures thoughts, and its “adjustment” at the physical level can be carried out (and is carried out) through sensory systems (including the hearing organ), the study of the frequency structure of speech will answer a number of important questions, including including related and higher brain functions (insight, creativity). Our experiments (Saint Petersburg Electrotechnical University, FIBS, department of EUT) showed that the influence of the “increased” or “lowered” musical-speech system on brain activity is insignificant. The study revealed the equiprobability of the frequency structure of speech. Since our brain lacks some characteristic set of frequencies – elements of a uniformly temperamental system, it is not necessary to talk about the harmful (or any other noise) effect of the “raised” and “lowered” systems due to deviation from the “internal standard”.Conclusion. In response to the assumptions made by Western experts, we proposed a frequency interpretation of the processes occurring in the brain, which, perhaps, will explain in more detail such phenomena as inspiration, discovery, etc., which occur with minimal activity of consciousness. Despite the limited methods of hardware study of factors that influence the activity of the brain and largely determine its higher functions (for example, creativity), the results of the brain's work in relation to music (both in terms of its creation and in terms of our reaction to it) are quite analyzable, which was shown in this study. The “musicality” of speech is extremely vividly represented in its frequency structure and allows one to reveal, to one degree or another, the features of the brain. (shrink)