This article, divided into two parts, traces and discusses two pairs of analogies invoked in Sanskrit literature to articulate the paradox of God’s oneness and multiplicity vis-à-vis the souls and the manifest world, reflecting the philosophical positions of pariṇāmavāda and vivartavāda. These are, respectively, the analogies of fire in wood and dairy products in milk, and moon/sun in pools of water and space in pots. In Part I, having introduced prevalent ideas about the status of the supreme principle vis-à-vis creation (...) in Śaivism, Sāṅkhya, and Vedānta, I investigate instances of the first pair of analogies in multiple textual genres, and especially in Śaiva literature from South and Southeast Asia, to highlight the influence of pariṇāma-Vedānta on the Śaiva textual corpus. Arguing that the distribution of the two pairs of analogies may cast some light on the relationship between different strands of dualistic and non-dualistic scriptures, I propose that the first pair could be traced back to the “formative” period of Śaivism—that is, prior to the emergence of the fully dualistic Śaiva Saiddhāntika corpus known to us. (shrink)

This article, divided into two parts, traces and discusses two pairs of analogies invoked in Sanskrit literature to articulate the paradox of God’s oneness and multiplicity vis-à-vis the souls and the manifest world, reflecting the philosophical positions of pariṇāmavāda and vivartavāda. These are, respectively, the analogies of fire in wood and dairy products in milk, and moon/sun in pools of water and space in pots. Having introduced prevalent ideas about the status of the supreme principle vis-à-vis the souls and creation (...) in Śaivism, Sāṅkhya, and Vedānta, and having investigated instances of the first pair of analogies in multiple textual genres in Part I, here I turn to the discussion of the second set of analogies. Having proposed that the first set reflects the influence of pariṇāma-Vedānta on an early strand of the Śaiva textual corpus, I argue that the second set, attested prevalently in relatively late sources, betrays a Śaṅkarian origin, thereby suggesting a vivartavāda-Advaita Vedānta influence on the Śaiva corpus after the 9th or 10th century. (shrink)

. Besides a philosophical exposition of the tenets of a form of Śaiva Siddhānta, the Dharma Pātañjala contains a long presentation of the yoga system that apparently follows the first three chapters of Patañjal’s Yogasūtra , either interweaving Sanskrit excerpts from an untraced versified version of the latter text with an Old Javanese commentary, or directly rendering into Old Javanese what appears to be an original Sanskrit commentary. Although the Old Javanese prose often bears a strong resemblance with the arrangement (...) and formulation of the topics treated in the Yogasūtrabhāṣya , it diverges from that commentary in several respects. The Dharma Pātañjala often presents specific doctrinal details that are found in other (sub)commentaries or in the Arabic rendering of the sūtra s-cum-commentary composed by al-Bīrūnī before 1030 AD , or adds original elements that are unattested elsewhere. The testimony of the Dharma Pātañjala turns out to be useful in order to solve some of the dilemmas posed by the selected sūtra s. It may also help us to better understand the textual cultural transmission and cultural reception of Patañjali’s work in both South and Southeast Asia, for its author, rather than freely borrowing from different Sanskrit commentaries, appear to have drawn upon an as yet unidentified, and possibly lost, ‘common source’. (shrink)