Contemporary Chinese society has witnessed ongoing complex institutional and cultural reconfiguration, driven by the transition from the socialist planned economy to marketization and later its deep engagement in globalization and neoliberalism. In this reshaping of Chinese society, tradition and modernity, the resurgence of patriarchal Confucian tradition, the socialist version of modernity, the capitalist version of modernity, and the socialist heritage intermingle, and all seem to define a mosaic temporality.Facing the increasing uncertainties of the market, family members in post-reform China have (...) to stick together as an economic safety net, emotional harbor and spiritual fortress. Chinese parents heavily invest in their children and continue to support them in their adulthood; whereas, the youth is under great obligation to providing old age care for their parents; and parents may regard this heavily-invested offspring as their private product. This resurgent but modified familialism, is not an exact replication of traditional familialism, but is definitely different from the family modes featured by individualism in Western contexts. Mosaic familialism is characterized by a sequential symbiosis between parents and children facing financial constraints and unforeseeable uncertainties with a lack of a social safety net. At the same time, patriarchal Confucianism is rejuvenated to a certain degree, women’s traditional wife and mother role is once again stressed, if not glorified; and the neoliberal discourse articulating personal choice and responsibility, but not individual right, stands by seamlessly. Parents and children, husband and wife are dependent on each other in the intimate family, following a clearly gendered pattern. (shrink)

Pour nombre d’observateurs, les logiques territoriales propres à l’État-nation sont aujourd’hui dissoutes au profit de logiques civilisationnelles pour certains, dont Samuel Huntington. Pour d’autres, tel que Bertrand Badie, les rationalités différenciées – stato-nationales, économiques, financières, identitaires – se mêleraient à des entreprises de coopération, d’autonomisation,..

La picturalisation de la mosaïque, à partir de la fin du ive siècle, se traduit par l'utilisation d'un nombre croissant de couleurs pour exprimer les jeux d'ombres et de lumières et donner ainsi l'illusion du volume. À cette fin, les mosaïstes ont utilisé, outre des matières naturelles, des matériaux artificiels comme la céramique, mais aussi le verre, la faïence et la peinture qui n'ont pas toujours été signalés dans les publications. Notre propos est donc d'en étudier, à partir de (...) l'examen des mosaïques déliennes, l'emploi selon les types de motifs et de décors, de présenter des observations techniques sur la fabrication de ces tesselles et de les replacer au sein des autres productions de verre et de faïence, enfin d'examiner l'apport de ces observations à l'histoire de la mosaïque hellénistique. (shrink)

In an earlier study of the utilisation of the materials in the mosaics of Delos we were able to show the variety and brilliance of colour obtained by using tessera of glass and faïence and painting over some of them. The cleaning of the large mosaic in the House of the Jewels now allows us to complete these observations. For a better understanding of how colour was used in the Hellenistic mosaics of pictorial style, it will be helpful to extend (...) this work of analysis and restoration to other mosaic floors belonging to the same stylistic trend: two Delian mosaics with Dionysiac themes and two Hellenistic mosaics in Egypt (the one signed by Sophilos and a copy of it discovered at Thmuis). Our perception of the colours of these mosaics is in fact considerably falsifîed by the altération of the materials. The result of the restoration of the original colours has been to reestablish these mosaics within the technical and stylistic context of hellenistic mosaics and painting. (shrink)