Die Bibliotheca Teubneriana, gegründet 1849, ist die weltweit älteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Sämtliche Ausgaben werden durch eine lateinische oder englische Praefatio ergänzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universität Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Università di Genova) Heinz-Günther Nesselrath (Georg-August-Universität (...) Göttingen) Oliver Primavesi (Ludwig-Maximilians Universität München) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfügbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die älteren Bände werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen möchten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Sämtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfügbar. (shrink)

Euhemerus, the famous theorist on the nature of the gods who lived around 300 BC, has usually been discussed as a disembodied intellectual figure, with scholars focusing on his literary and philosophical sources and influence. Although he is called “Euhemerus of Messene,” there is uncertainty as to where he was born, lived, and worked, in particular whether he came from Sicilian or Peloponnesian Messene. Until now, the conquests of Alexander the Great and the establishment of the Successor Kingdoms (...) have been considered the only context for Euhemerus. This paper will draw upon literary, historical, and archaeological evidence to argue that Euhemerus belongs in a Sicilian context. The long history of the worship of rulers in Sicily from the oikistai to the tyrants of Syracuse, the wealth of Sicily, the proximity of the Lipari Islands, the multiethnic milieu of Sicily with its vigorous interaction and syncretism, all contributed to Euhemerus' experiences and thought. We suggest that centuries of Sicilian cultural and political experience, not merely the “phenomenon” of Alexander the Great and the dawn of the Hellenistic Age, provided the impetus to the ideas of Euhemerus, and that Euhemerus brought this Sicilian contribution to bear on the new problems of the wider world. (shrink)

Euhemerus, the famous theorist on the nature of the gods who lived around 300 BC, has usually been discussed as a disembodied intellectual figure, with scholars focusing on his literary and philosophical sources and influence. Although he is called “Euhemerus of Messene,” there is uncertainty as to where he was born, lived, and worked, in particular whether he came from Sicilian or Peloponnesian Messene. Until now, the conquests of Alexander the Great and the establishment of the Successor Kingdoms (...) have been considered the only context for Euhemerus. This paper will draw upon literary, historical, and archaeological evidence to argue that Euhemerus belongs in a Sicilian context. The long history of the worship of rulers in Sicily from the oikistai to the tyrants of Syracuse, the wealth of Sicily, the proximity of the Lipari Islands, the multiethnic milieu of Sicily with its vigorous interaction and syncretism, all contributed to Euhemerus' experiences and thought. We suggest that centuries of Sicilian cultural and political experience, not merely the “phenomenon” of Alexander the Great and the dawn of the Hellenistic Age, provided the impetus to the ideas of Euhemerus, and that Euhemerus brought this Sicilian contribution to bear on the new problems of the wider world. (shrink)

This paper looks at the way in which scholars of the seventeenth and eighteenth centuries conceptualized the relationship between sacred history and pagan mythology through the lens of their approach to the ancient Greek writer Euhemerus. It argues that the popular contemporary tendency to equate Euhemerism with the historical interpretation of pagan mythology is the product of early eighteenth century French mythography, during which time scholars divested the study of pagan myth from the study of biblical history and thereby (...) sought for new, non-Christian, hermeneutical traditions through which to analyze the origins of pagan mythology more generally. (shrink)

Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and (...) its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse. (shrink)