Performativity is a theory of how reality comes into being. It is also a deconstructive practice. This article addresses the question of performativity as an emergent mode of working in social and cultural research. It does so by way of exploring a research project focusing on prostitution in a multiethnic context in north Norway, carried out by two researchers doing collaborative work on men, sexuality and knowledge. The author’s interest is in exploring performativity as a mode of engaging, aimed at (...) achieving transformations in the terms through which the real is constituted. The author argues that practising performativity requires an openness within the research process to the possibility that researchers and their practices themselves must alter. Such transformative modes of relating seem to be called for in order to develop effective ways of engaging with the present. (shrink)

In this captivating book, Helen Verran addresses precisely that question by looking at how science, mathematics, and logic come to life in Yoruba primary schools.

_Three Steps on the Ladder of Writing_ is a poetic, insightful, and ultimately moving exploration of 'the strange science of writing.' In a magnetic, irresistible narrative, Cixous reflects on the writing process and explores three distinct areas essential for 'great' writing: _The School of the Dead_--the notion that something or someone must die in order for good writing to be born; _The School of Dreams_--the crucial role dreams play in literary inspiration and output; and _The School of Roots_--the importance of (...) depth in the 'nether realms' in all aspects of writing. Cixous's love of language and passion for the written word is evident on every page. Her emotive style draws heavily on the writers she most admires: the Brazilian novelist Clarice Lispector, the Russian poet Marina Tsvetaeva, the Austrian novelists Ingeborg Bachmann and Thomas Bernhard, Dostoyevsky and, most of all, Kafka. (shrink)