Abstract

Peircean semeiotics—Peirce's own term, in contrast to the discipline of "semiotics" that is usually spelled without the second "e"—has generated a substantial secondary literature, much of it designed to clarify Peirce's obscure, unsystematic, and continuously developing ideas about signs articulated over a forty-year career, but some of it in the attempt to illuminate other disciplines or fields of inquiry (e.g., one of the most recent being the provocative Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation, by Johannes Ehrat, published by the University of Toronto Press in 2005). T. L. Short's comprehensive discussion advances the conversation, or at least attempts to do so, in at ..