Abstract

This article deals with the problem of death and the end of art. The discourse on the subject is still ongoing only due to the authority of Hegel, several contemporary authors and above all – this is my main thesis – a metaphorical projection inscribed in our language and the concept of art itself. This allows us to perceive organic features in art, thus contributing to the ease with which one can formulate a thesis on end or death. However, as I point out, these categories become highly problematic when any artistic phenomenon is described. The aim of the paper is to shed the light on these metaphors.