Abstract

The first choral ode of Euripides' Supplices, or the Parodos if that term can be used for an ode which is not an ‘entry’, ends with two stanzas of lyric-iambic threnody, following four stanzas of supplication in ionic metre As Collard comments, this structure is broadly similar to, and very possibly modelled upon, A. Pers. 65–114, 115–39. But there is an important difference here: prima facie, the ‘further∕different concerted lament’ in 71ff. is sung and performed by the πρсπολοι mentioned in 72, ‘taking over’ in a kind of antiphon to the Seven Mothers'lamenting κεсα