A Monistic Interpretation of Whitehead’s Creativity

Process Studies 20 (3):162-174 (1991)
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Abstract

Creativity in Whitehead is analogous to prime matter in Aristotle; both principles serve as the counterpart of form. A fundamental difference is that whereas prime matter is purely passive, creativity is pure activity. ;My dissertation focuses on the question whether creativity in some sense exists as numerically one running throughout the entire universe, or only as numerically many in the many individual actual entities which are the basis of his avowed ontological pluralism? ;The most common view in the literature is that creativity exists only as many . Four leading commentators are examined, and each is seen to face a problem with creativity's on-goingness. If creativity exists only in its individuals, then why do new individuals continue to come into existence? Two of the commentators attempt to answer this question by appealing, each in a slightly different way, to creativity's universality; but in both cases it is argued that this form of answer is circular for the pluralist must show that creativity is universal in the future. ;Two other interpreters of creativity are examined who emphasize creativity's causal role in perpetuating the universe. Analysis of their interpretations shows that each in fact requires creativity to be something numerically one throughout the universe , though this view is not made explicit. ;A monistic interpretation is then put forward and defended against a common criticism; namely, that it is inconsistent with Whitehead's ontological pluralism. It is argued that creativity implies process and process implies a plurality of stages. The monistic creativity is not more real than its plurality of stages, since these stages are essential to its being a creating activity. Creativity is merely the counterpart of form; each stage of creativity's process has its own ingredient eternal objects and its own subjective aim at satisfaction in terms of which it is a novel atomic individual . A monistic creativity does not imply ontological monism. Furthermore, since it solves the problem of on-goingness, it should replace the received pluralistic interpretation

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