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O niilismo em Parsifal
Cadernos Nietzsche 43 (2):227-260 (2022)
Abstract
This paper aims to understand from Nietzsche’s late thinking the reasons why we can observe aspects of nihilism in the opera Parsifal, by Wagner. Given the several considerations by Nietzsche regarding Parsifal, it is possible to identify it with nihilism, especially with the incomplete one. Besides that, if the denial of world is identified to moral, to asceticism, to Christian faith, to chastity and to compassion, these are the elements that guide the Wagnerian work from 1882 and which, in turn, characterize it as a kind of aesthetical nihilism.Other Versions
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References found in this work
Complexity and Ambivalence in Nietzsche’s Relationship with Wagner Some ideas and formulations in this essay are drawn from my recent books: Nietzsche’s Jewish Problem: Between Anti-Semitism and Anti-Judaism , and Nietzsche and the Nineteenth Century: Social Questions and Philosophical Interventions.Robert C. Holub - 2017 - Nietzsche Studien 47 (1):422-441.
Complexity and Ambivalence in Nietzsche’s Relationship with Wagner.Robert C. Holub - 2018 - Nietzsche Studien 47 (1):422-441.
Nietzsches Bruch mit Wagner. Zur plausibilität seiner späteren stilisierung.Reto Winteler - 2011 - Nietzsche Studien 40 (1):256-272.
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