Il mondo messo a fuoco. Storie di allucinazioni e miopie filosofiche

Roma: Laterza (2010)
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Abstract

At the beginning, all there is is world. It’s not all alike: here is mama, there is cold, over there—noise. Soon we begin to distinguish and to recognize: more mama, more cold, more noise! Yet initially these things appear to be all of a type. Each is, in Quine’s words, just a history of sporadic encounter, a mere portion of all there is. Only with time does this fluid totality in which we are immersed begin to take shape: sensations recur; objects stick out; noise changes depending on the things around us. We learn how to act and to predict. We launch into giving names, using verbs, painting adjectives. Such marvelous unfolding is the subject of much inquiry by psychologists and biologists, and eventually by sociologists. But for a philosopher it is first and foremost the source of deep and bemusing bewilderment, if not a dilemma: Are we learning to make out the structure of the world, or are we endowing the world with a structure of our making? Is reality gradually revealing the mechanisms according to which it is organized, or is it we who progressively organize the amorphous and continuous flux of our experience?

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Achille C. Varzi
Columbia University

Citations of this work

From the Ultimate God to the Virtual God: Post-Ontotheological Perspectives on the Divine in Heidegger, Badiou, and Meillassoux.Jussi Backman - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 6 (Special):113-142.
Metafisica mostruosa.Elena Casetta - 2014 - In Elena Casetta & Valeria Giardino (eds.), Mettere a fuoco il mondo. © ISONOMIA – Epistemologica, University of Urbino. pp. 24-35.
New Realism as Positive Realism.Maurizio Ferraris - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:172-213.

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