Cham, Switzerland: Springer Verlag (2017)
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Abstract |
This book develops a novel generalization of possible world semantics, called ‘world line semantics’, which recognizes worlds and links between world-bound objects (world lines) as mutually independent aspects of modal semantics. Addressing a wide range of questions vital for contemporary debates in logic and philosophy of language and offering new tools for theoretical linguistics and knowledge representation, the book proposes a radically new paradigm in modal semantics. This framework is motivated philosophically, viewing a structure of world lines as a precondition of modal talk. The author provides a uniform analysis of quantification over individuals (physical objects) and objects of thought (intentional objects). The semantic account of what it means to speak of intentional objects throws new light on accounts of intentionality and singular thought in the philosophy of mind and offers novel insights into the semantics of intensional transitive verbs.
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Keywords | Cross-world Identity First-order Modal Logic Intentional Verbs Non-existent Objects World Line |
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Buy this book | $37.99 new Amazon page |
ISBN(s) | 9783319531182 3319531182 3319850679 9783319531199 |
DOI | 10.1007/978-3-319-53119-9 |
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References found in this work BETA
Demonstratives: An Essay on the Semantics, Logic, Metaphysics and Epistemology of Demonstratives and Other Indexicals.David Kaplan - 1989 - In Joseph Almog, John Perry & Howard Wettstein (eds.), Themes From Kaplan. Oxford University Press. pp. 481-563.
Knowledge and Belief: An Introduction to the Logic of the Two Notions.Jaakko Hintikka - 1962 - Ithaca: Cornell University Press.
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Citations of this work BETA
Fictional, Metafictional, Parafictional.François Recanati - 2018 - Proceedings of the Aristotelian Society 118 (1):25-54.
Singular Terms, Identity, and the Creation of Fictional Characters.Matthieu Fontaine - 2019 - Disputatio 11 (54):207-229.
Cross-Fictional Quantification in the Artifactual Theory of Fiction.Matthieu Fontaine - 2020 - Critica 52 (154).
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