Abstract

Recently, many historians of science have chosen to present their historical narratives from the ‘actors’-eye view’. Scientific knowledge not available within the actors’ culture is not permitted to do explanatory work. Proponents of the Sociology of Scientific Knowledge purport to ground this historiography on epistemological relativism. I argue that they are making an unnecessary mistake: unnecessary because the historiographical genre in question can be defended on aesthetic and didactic grounds; and a mistake because the argument from relativism is in any case incoherent.The argument of the present article is self-contained, but steers clear of metaphysical debates in the philosophy of science. To allay fears of hidden assumptions, the sequel, to be published in the following issue, will consider SSK’s prospects of succour from scientific realism, instrumentalism, and a metaphysical system of Bruno Latour’s own devising.