Abstract

This article examines the feelings of discomfort in the works of Nobel Prize winner Kenzaburo Ōe. Focusing on Ōe's first short story “Prize Stock”, Shiiku, the article discusses how the incredible event of a black pilot falling from the sky in the mountains near a small Japanese village during World War II refers to more general racial issues than those described. The discussion argues that Ōe's story, criticized as racist because of the treatment of the black airman, should be read in a broader view, thematising the problems of race and marginalisation in Japan and beyond.