Abstract

This article is an investigation into the ways in which anatomico-medical bodies are produced through means of public mediation and spectacle technologies. The examples of `RealVideo surgery' (surgical operations broadcast live over the Web) and the early modern anatomy theaters, provide two instances where `the body' enframed by science is mediated via technology. Referencing the genealogical work of Michel Foucault, and through an analysis of the anatomy theaters and RealVideo surgery, this article attempts to show how such institutionally framed and legitimizing science practices do not simply produce `the body', but are rather involved in multiply articulating different types of technoscientific bodies. At issue in such instances are the ways in which practices and habits of reading, decoding and recognizing bodies are being reconfigured in the utilization of such technologies as the Internet and Web, and the possible modes of critical analysis which may develop from within such instances.