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  1.  30
    Deleuze and performance.Laura Cull (ed.) - 2009 - Edinburgh: Edinburgh University Press.
    This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative ...
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  2.  28
    Theatres of immanence: Deleuze and the ethics of performance.Laura Cull - 2012 - New York: Palgrave-Macmillan.
    Machine generated contents note: -- List of IllustrationsAcknowledgementsIntroductionImmanent authorship: From the Living Theatre to Cage and Goat IslandDisorganizing language, voicing minority: From Artaud to Carmelo Bene, Robert Wilson & Georges LavaudantImmanent imitations, animal affects: From Hijikata Tatsumi to Marcus CoatesPaying attention, participating in the whole: Allan Kaprow alongside Lygia ClarkEthical durations, opening to other times: Returning to Goat Island with WilsonIn-Conclusion: What 'good' is immanent theatre? Immanence as an ethico-aesthetic valueCodaBibliographyIndex.
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  3.  12
    Sub specie durationis.Matthew Goulish & Laura Cull - 2009 - In Laura Cull (ed.), Deleuze and performance. Edinburgh: Edinburgh University Press. pp. 126.
    This chapter explores Gilles Deleuze's Bergsonism and the notion of multiplicity with respect to latitude and longitude, and the relation between the spatial and the temporal in performance. It highlights the complexity of the ordinary and the thickness of the present against narratives of disappearance, or correlative emphases on virtuality. It suggests that the collaborative performance group Goat Island's ‘creative response’ might also be an apt description of Deleuze's Bergsonism, though it was not a representation of Henri Bergson, so much (...)
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  4.  6
    Manifesto Now!: Instructions for Performance, Philosophy, Politics.Laura Cull & Will Daddario (eds.) - 2013 - Intellect.
    _Manifesto Now!_ maps the current rebirth of the manifesto as it appears at the crossroads of philosophy, performance, and politics. While the manifesto has been central to histories of modernity and Modernism, the editors contend that its contemporary resurgence demands a renewed interrogation of its form, its content, and the uses. Featuring contributions from trailblazing artists, scholars, and activists currently working in the United States, the United Kingdom, Finland, and Norway, this volume will be indispensible to scholars across the disciplines. (...)
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