The Consecration of Sound: Sublime Musical Creation in Haydn, Weber and Spohr

In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press (2020)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,127

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Wagner's Sublime Effects: Bells, Cannon and the Perception of Heavy Sound.David Trippett - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
Sonorous Sublimes : An Introduction.Sarah Hibberd & Miranda Stanyon - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
Thunder or Celestial Harmony : French Theological Debates on the Sonorous Sublime.Sophie Hache - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
Cherubini's Médée and Sublime Vengeance.Sarah Hibberd - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
A Pleasing Rape' : John Dennis, Music and the Queer Sublime.Matthew Head - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
Counterfeits, Contraltos and Harmony in De Quincey's Sublime.Miranda Stanyon - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
Commanding Performances: Opera, Surrogation and the Royal Sublime in 1848.Dana Gooley - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
C. P. E. Bach and the Neoclassical Sublime : Revisions of a Concept.Keith Chapin - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
When Does the Sublime Stop? Cavatinas and Quotations in Haydn's Seasons.Elaine Sisman - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.
The Idea of the Past in Eighteenth-Century British Music.Suzanne Aspden - 2020 - In Sarah Hibberd & Miranda Stanyon (eds.), Music and the sonorous sublime in European culture, 1680-1880. New York: Cambridge University Press.

Analytics

Added to PP
2022-12-02

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references