- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Wittgenstein Listens to Mahler: How to Do Philosophy and Compose Music in the Breakdown of Tradition?
Dialogue 46 (1):91-113 (2007)
Abstract
ABSTRACTThis article retrieves, situates, and interprets Ludwig Wittgenstein's overlooked remarks about the composer Gustav Mahler, and connects them with Wittgenstein's philosophical perspective and practice, as well as with his musical aesthetics.Author's Profile
My notes
Similar books and articles
Wittgenstein as Philosophical Tone-Poet: Philosophy and Music in Dialogue.Béla Szabados - 2014 - Amsterdam: Editions Rodopi.
Wittgenstein on Mahler.Eran Guter - 2013 - In Daniele Moyal-Sharrock, Volker A. Munz & Annalisa Coliva (eds.), Mind, Language and Action: Contributions to the 36th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
“A small, shabby crystal, yet a crystal”: A life of music in Wittgenstein’s Denkbewegungen.Eran Guter - 2019 - In B. Sieradzka-Baziur, I. Somavilla & C. Hamphries (eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives. StudienVerlag. pp. 83-112.
The Good, the Bad, and the Vacuous: Wittgenstein on Modern and Future Musics.Eran Guter - 2015 - Journal of Aesthetics and Art Criticism 73 (4):425-439.
Pathos, Parodie, Provokation: Authentizität versus Medienskepsis bei Friedrich Nietzsche und Gustav Mahler.Albrecht Dammeyer - 2005 - Würzburg: Königshausen & Neumann.
Thinking Through Music: Wittgenstein’s Use of Musical Notation.Eran Guter & Inbal Guter - 2023 - Journal of Aesthetics and Art Criticism 81 (3):348-362.
Wittgenstein e o Realismo Religioso de Beethoven.Nuno Venturinha - 2018 - Revista Portuguesa de Filosofia 74 (4):1203-1212.
Gustav Mahler und seine Umwelt.Vladimír Karbusický - 1978 - Wissenschaftliche Buchgesellschaft Abt. Verlag.
Analytics
Added to PP
2009-01-28
Downloads
31 (#129,909)
6 months
7 (#1,397,300)
2009-01-28
Downloads
31 (#129,909)
6 months
7 (#1,397,300)
Historical graph of downloads
Author's Profile
Citations of this work
The Good, the Bad, and the Vacuous: Wittgenstein on Modern and Future Musics.Eran Guter - 2015 - Journal of Aesthetics and Art Criticism 73 (4):425-439.
References found in this work
Philosophical Investigations.Ludwig Wittgenstein - 1953 - New York, NY, USA: Wiley-Blackwell. Edited by G. E. M. Anscombe.
Philosophical investigations.Ludwig Wittgenstein & G. E. M. Anscombe - 1953 - Revue Philosophique de la France Et de l'Etranger 161:124-124.
Culture and value.Ludwig Wittgenstein - 1977 - Chicago: University of Chicago Press. Edited by G. H. von Wright & Heikki Nyman.
Culture and Value.Ludwig Wittgenstein, G. von Wright, Heikki Nyman & Peter Winch - 1982 - Tijdschrift Voor Filosofie 44 (3):562-562.
Lectures and Conversations on Aesthetics, Psychology and Religious Belief.Ludwig Wittgenstein & Cyril Barrett - 1968 - Journal of Aesthetics and Art Criticism 26 (4):554-557.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6686886f5-5pqs9 uwo