Abstract

This article—part of a larger project that examines the place of the human in contemporary thought after the critique of the subject—takes as its point of departure the problematic of the author in Maurice Blanchot. If the author is “sacrificed to language,” it is argued, this is not to be conceived as the mere negation of authorial subjectivity; rather, the author, as a sacrificial figure, answers to the exigency of a figuration that would enable the a priori condition of signification in general to be exposed. In a word, the human is not dispensed with, for Blanchot, but engaged by language at its limits. On the basis of this analysis, La folie du jour is construed as a narrative of what is called “the narrative voice.”