In this article I re-examine the well-known distinction between rootedness and uprootedness that Emmanuel Levinas draws in his short text “Heidegger, Gagarin and Us” (1961). This distinction addresses the relation between men and place either as an attachment to place (paganism, Heidegger) or as a freedom with regard to place (Judaism, Gagarin). I question this opposition from a contemporary perspective in environmental philosophy, namely from the growing awareness of the interconnectedness between place and Earth. I contend that this new perspective (...) changes the understanding of dwelling today because of Earth’s exteriority with regard to place. I argue that this exteriority is neither infinite nor a totality. (shrink)

The contributions of this volume discuss the legacy of Emmanuel Levinas philosophy. Examining critically the limits of his thinking, they also bear witness to its influence, thus demonstrating the significance of his groundbreaking project of establishing ethics as first philosophy".

This article examines in what way and to what extent phenomenological philosophy has given rise to a new understanding of the modern novel and to a transformation of its narrative techniques. The starting point for this examination is the claim, made by Merleau-Ponty in “Metaphysics and the Novel”, according to which, in phenomenological philosophy, the task of philosophy is inextricably bound to that of literature. I examine this claim in two ways. First, I situate it historically with regard to the (...) modern novel’s characteristic realism. Then, I show how the phenomenological attitude – formulated by Husserl as a methodological device in distinction with the natural attitude – transforms the novel’s narrative technics. Sartre’s first novel, La Nausée, constitutes an exemplary case to assess this transformation. Combining these two ways, I argue that the claim made by Merleau-Ponty is paradoxical: on the one hand, the intrinsic connection between phenomenological philosophy and literature promotes the cognitive value of the modern novel, but on the other hand, it breaks with the conventions of the novel form and initiates a fragmented writing. (shrink)

Testimony and Engagement: Towards a Re-assessment of the Distinction between Fiction and Non-Fiction in Literary Narratives This article approaches the cognitive value of literary works from the perspective of the distinction between fiction and non-fiction. This examination takes as a starting point the philosophy of Peter Lamarque who bases the distinction between fiction and non-fiction on the intention of the author. I question this position from the perspective of the reader’s experience of a literary text. I argue that the distinction (...) between fiction and non-fiction plays a major role in our appreciation of literary works, but that the intention of the author is not sufficient to account for it. In order to assess the relevance of the distinction between fiction and non-fiction in the reader’s experience of literary narratives, I introduce the notions of testimony and engagement. Testimony narratives are considered to be non-fiction, narratives of engagement are not. In analyzing some aspects of the stories If This Is a Man (Primo Levi), Nausea (Jean-Paul Sartre) and Identitti (Mithu Sanyal), I show that testimony and engagement are both involved, however in different ways, in the reader’s appreciation of these stories. (shrink)

En retracant l'histoire de cet ecart qui se dissimule dans le rapport entre Blanchot et Levinas, cette etude veut a la fois sonder son origine, interroger son insistance et en degager les termes qui exposent le differend comme une condition ...

According to a philosophical tradition, it is trivial to speak about dissensus: the incompatibility of meaning and the dispute are charcteritics of the life of the philosopical reflection. In its most radical sense, though, the notion of dissensus is not only opposed to the possibility of reaching consensus, but concerns the possibility of discourse itself. As such, dissensus confronts philosophy with an impossibility that challenges its evidence. How to approach this impossibility? I argue that the problem of dissensus is not (...) just a question of language, but that it is necessary to take into consideration the relation between language and subjectivity. This relation is a central issue in the writings of Maurice Blanchot as well as in the philosophy of Emmanuel Levinas: for both of them, ‘language’ is in the phenomenological sense of the word an ‘experience’ in which the whole problem of subjectivity is involved. But at the same time, this experience is the origin of a profound difference between the two friends. Analysing the question of subjectivity in its relation to the other, Levinas is able to show why language plays a fundamental role in the promotion and the constitution of a subjectivity that is obliged to respond in the first person. Blanchot, however, approaches language in the experience of writing where subjectivity looses grip and cannot but disappear. The distinction between written language and oral discourse therefore seems to be crucial with regard to the problem of subjectivity. The explicitation of this distinction enables me to specify the condition of dissensus. (shrink)

This book wants to open a contemporary philosophical perspective on the tragic. What is the locus of tragedy?

The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with authors such (...) as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others. (shrink)

In het kader van de Leerstoel Rector Dhanis (UFSIA, Antwerpen) werd door een studiegroep bestaande uit artsen en verpleegkundigen, ethici en juristen, een interdisciplinaire studie ondernomen over 'klinische ethiek' en 'hoe recht en politiek omgaan met problemen die thuishoren in de klinische praktijk'. In deze bundel wordt het ethische denken in een aantal casussen betreffende neonatalen en dementerenden kritisch besproken. De adviezen van het Raadgevend Comite voor Bio-Ethiek over sterilisatie van mentaal gehandicapten en over klonering worden onderzocht op hun relevantie (...) voor de klinische praktijk. (shrink)