Abstract

Drawing extensively on the whole range of Spinoza’s philosophical writing, Staring into the Void devotes twelve chapters to showing in detail how the architecture of reality as Spinoza saw it rises in stages from a theory of being to prophetically modern theories of the physical world, of causal law, of perceptual and intuitive knowledge, of determinism, of the roots of human motivation, and of the kinds of civil society that human nature is capable of sustaining. Professor Skulsky tries to disarm the justifiably skeptical reader by showing why Spinoza’s thesis about the One Real Thing is as arguable as it is outrageous. The Spinoza of this intellectual portrait is a bleaker and more subversive figure than the hero of Enlightenment humanism now in general circulation.