Philosophy and Social Criticism 37 (8):915-933 (2011)

Abstract
The concept of autonomy has had a central place in the German aesthetic tradition since the eighteenth century, specifically, after Kant's Critique of the Power of Judgment. Although Kant denied that aesthetic judgments yield cognitive truth, aesthetic judgments are autonomous in that they do not rely on or presuppose a concern with the object's purpose, utility, or even its actual existence. For Theodor Adorno, the autonomy of art lies in the work of art, in its production, not specifically in the aesthetic judgments of the subject. This article shows that by shifting autonomy from aesthetic judgments to art production, Adorno effectively makes art the reservoir for human freedom. Although this point is often eluded to in Adorno scholarship by individuals such as Tom Huhn and Lambert Zuidervaart, it is often passed over without additional explanation and discussion
Keywords No keywords specified (fix it)
Categories (categorize this paper)
ISBN(s)
DOI 10.1177/0191453711413713
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 68,916
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles

The Artwork and the Promesse du Bonheur in Adorno.James Gordon Finlayson - 2015 - European Journal of Philosophy 23 (3):392-419.
The Inclusive Interpretation of Kant's Aesthetic Ideas.Samantha Matherne - 2013 - British Journal of Aesthetics 53 (1):21-39.
Aesthetic Autonomy and Praxis: Art and Language in Adorno and Habermas.Jennifer A. McMahon - 2011 - International Journal of Philosophical Studies 19 (2):155 - 175.
Mimesis in Adorno’s Aesthetic Theory.Bed P. Paudyal - 2009 - Journal of Philosophy: A Cross-Disciplinary Inquiry 4 (8):1-10.
Kant's Aesthetic Revolution.Albert Hofstadter - 1975 - Journal of Religious Ethics 3 (2):171 - 191.

Analytics

Added to PP index
2011-08-26

Total views
56 ( #200,852 of 2,497,979 )

Recent downloads (6 months)
1 ( #428,301 of 2,497,979 )

How can I increase my downloads?

Downloads

My notes