Abstract

The article deals with the constitution of a «historical people» in the conference munity that underlie to the interpretations of works of art in the conference are examined, pointing out the relationship of both with two types of different communities. In turn, they also constituted the images of ideal community of nacionalsocialism in power. This coincidence shows a deep agreement of Heidegger with governing nacionalsocialism different from a mere adhesion to the party. In this way, it is shown the parallel of the question about the «new beginning» looked for by Heidegger starting from the Kehre and his political commitment for those years