Abstract

The assassinations of the Prophet Muḥammad’s antagonists were, according to the sīra, the harsh measures he took toward the consolidation of Islam in the Arabian Peninsula. These incidents’ narratives are often labeled in modern scholarship as “completely free of any tendentiousness.” This contention seems, however, to be grounded in the lack of full cognizance of the sources’ ulterior motives and of the extent of literary devices deployed in the traditional biography of the Prophet. The present study identifies the topoi appearing in the murder accounts of the Prophet’s political opponents that shed light on the extent of these stories’ dependence on each other and on the possibility of literary borrowing between them. This analysis shows that the use of literary tools in the sources are more widespread than what may appear at first sight. Our accounts exhibit striking resemblances with one another in both form and content, a point seriously undermining the trustworthiness of the sīra as a straightforward source for reconstructing the Prophet’s life.