Abstract

In the main bulk of this chapter, I offer a Wittgensteinian take on infinity and deduce from this some Wittgensteinian criticisms of Chomsky on ‘creativity’, treating this as one among many examples of how metaphors, following the understanding of Lakoff and Johnson, following Wittgenstein, can delude one into metaphysics. As per my title, ‘metaphysics’ turns out to be, really, nothing other than metaphorics in disguise. Our aim in philosophy, then, is to turn latent metaphors into patent metaphors. When we do this, the charm of metaphysics evaporates. Or again, its charm, if still felt, is properly contextualised: ‘metaphysics’ becomes at best a kind of accidental or un-self-aware poetry, rather than something like a super- or supra-science.