Abstract

This essay examines the significance of Kant's transcendental philosophy by focusing on the central metaphors used in his works. The four metaphors singled out here are those of the Copernican turn, the land of truth and the ocean of illusion, the starry heavens and the moral law, and of perpetual peace. The author emphasizes the strong and the weak points of Kant's philosophy that these metaphors reveals, and argues that these central metaphors work together and point toward the two essential concerns of Kant's entire philosophical opus: an active role of the creative subject in all forms of human experience, and the boundaries of the subject's creativity. Further reflection should not only reveal some other metaphors and their role in Kant's philosophy, but also clarify how he himself understand the nature of metaphors: Are metaphors the expression of our creativity, or of the limitations of our creativity?. Ovaj rad ispituje znacaj Kantove transcendentalne filozofije time sto se usmerava na centralne metafore koriscene u njegovim delima. Cetiri metafore su ovde izdvojene kao najvaznije: kopernikanski obrt, postojbina istine i okean iluzije, zvezdano nebo i moralni zakon, i vecni mir. Autor naglasava jake i slabe stane Kantove filozofije koje razotkrivaju te metafore i argumentise da, uzete zajedno, one ukazuju na dve centralne preokupacije citavog Kantovog filozofskog opusa: aktivna uloga kreativnog subjekta u svim formama ljudskog iskustva, i granice ljudske kreativnosti. Dalja refleksija bi trebalo ne samo da ukaze na neke druge metafore i njihovu ulogu u Kantovoj filozofiji, nego takodje i da razjasni kako je on shvatao samu prirodu metafora: Da H su metafore izraz nase kreativnosti, ili pak izraz granica te kreativnosti?.