Theory, analysis and meaning in music

(ed.)
New York: Cambridge University Press (1994)
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Abstract

Recent encounters with structuralist and poststructuralist critical theory, linguistics, and cognitive sciences have brought the theory and analysis of music into the orbit of important developments in present-day intellectual history. Without seeking to impose an explicit redefinition of either theory or analysis, this book explores the limits of both. Essays on decidability, ambiguity, metaphor, music as text, and music analysis as cognitive theory are complemented by studies of works by Debussy, Schoenberg, Birtwistle and Boulez.

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2006

Call number

ML3877.T5 2006

ISBN(s)

0521028302   0521452368
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Chapters

Alan street.I. Premonitions, I. I. I. Chord-Colours & I. V. Peripeteia
Ambiguity in tonal music: A preliminary study Kofi Agawu.Roger Parker McCreless, David Rosen & Arnold Whittall
Metaphor in Roger Scruton's aesthetics of music.  (pages 3--28)Naomi Cumming
Competing myths: the american abandonment of schenker's organicism.  (pages 29--56)Robert Snarrenberg
Rehabilitating the incorrigible.  (pages 57--73)Marion A. Guck
Ambiguity in tonal music. a preliminary study.  (pages 86--107)Kofi Agawu
Debussy's significant connections: Metaphor and metonymy in analytical method.  (pages 127--151)Craig Ayrey
Music as text: Mahler, Schumann and issues in analysis.  (pages 152--163)Robert Samuels
The Obbligato Recitative: Narrative and Schoenberg's Five Orchestral Pieces, Op. 16.  (pages 183)Alan Street
Birtwistle's' Refrains and Choruses'.  (pages 184)Jonathan Cross
Repons': phantasmagoria or the articulation of space?  (pages 195--210)Alastair Williams

Similar books and articles

Metaphor in Roger Scruton's aesthetics of music.Naomi Cumming - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 3--28.
Ambiguity in tonal music. a preliminary study.Kofi Agawu - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 86--107.
Music as text: Mahler, Schumann and issues in analysis.Robert Samuels - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 152--163.
Ambiguity in tonal music: A preliminary study Kofi Agawu.Roger Parker McCreless, David Rosen & Arnold Whittall - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press.
Alan street.I. Premonitions, I. I. I. Chord-Colours & I. V. Peripeteia - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press.
Rehabilitating the incorrigible.Marion A. Guck - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 57--73.
Debussy's significant connections: Metaphor and metonymy in analytical method.Craig Ayrey - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 127--151.
Birtwistle's' Refrains and Choruses'.Jonathan Cross - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 184.
Repons': phantasmagoria or the articulation of space?Alastair Williams - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 195--210.
Competing myths: the american abandonment of schenker's organicism.Robert Snarrenberg - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 29--56.

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