Rehabilitating the incorrigible

Music as text: Mahler, Schumann and issues in analysis.Robert Samuels - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 152--163.

Ambiguity in tonal music. a preliminary study.Kofi Agawu - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 86--107.

Metaphor in Roger Scruton's aesthetics of music.Naomi Cumming - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 3--28.

Ambiguity in tonal music: A preliminary study Kofi Agawu.Roger Parker McCreless, David Rosen & Arnold Whittall - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press.

Alan street.I. Premonitions, I. I. I. Chord-Colours & I. V. Peripeteia - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press.

Theory, analysis and meaning in music.Anthony Pople (ed.) - 1994 - New York: Cambridge University Press.

Birtwistle's' Refrains and Choruses'.Jonathan Cross - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 184.

Repons': phantasmagoria or the articulation of space?Alastair Williams - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 195--210.

Competing myths: the american abandonment of schenker's organicism.Robert Snarrenberg - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 29--56.

Debussy's significant connections: Metaphor and metonymy in analytical method.Craig Ayrey - 1994 - In Anthony Pople (ed.), Theory, analysis and meaning in music. New York: Cambridge University Press. pp. 127--151.

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