Abstract

This article will explore a paradoxical dramaturgy. Last year I played Yahweh in a production entitled OT: Chronicles of the Old Testament. It was part of the 2007 Malthouse Theatre season in Melbourne, and directed by Christian Leavesley and Phil Rolfe. To embody Yahweh is to make manifest the divine, make material the ineffable, and yet allow the illusion that all is still spirit. How does one become God, if only for a moment? Well, for at least as long as the play lasts. Given the atheist fundamentalism espoused recently by Dawkins, Onfray and Hitchens, in what spirit is a corporeal critique of the pervasive power of the Old Testament, and in particular it's vengeful, wrathful, forgetful, dancing God the Father, possible?