Video Games and Imaginative Identification

Journal of Aesthetics and Art Criticism 75 (2):181-184 (2017)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1111/jaac.12355

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,019

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Still Self-Involved: A Reply to Patridge.Jon Robson & Aaron Meskin - 2017 - Journal of Aesthetics and Art Criticism 75 (2):184-187.
Walton, Truth in Fiction, and Video Games: A Rejoinder to Willis.Martin Ricksand - 2020 - Journal of Aesthetics and Art Criticism 78 (1):101-105.
Choose Your Own Adventure: Examining the Fictional Content of Video Games as Interactive Fictions.Marissa D. Willis - 2019 - Journal of Aesthetics and Art Criticism 77 (1):43-53.
Cognitive Value and Imaginative Identification: The Case of Kubrick's Eyes Wide Shut.Alessandro Giovannelli - 2010 - Journal of Aesthetics and Art Criticism 68 (4):355-366.
Aesthetics: A Reader in the Philosophy of the Arts, 4th edition, edited by David Goldblatt, Lee B. Brown, and Stephanie Patridge. [REVIEW]Kenneth E. Walden - 2019 - Teaching Philosophy 42 (2):171-172.
Are Video Games Art?Aaron Smuts - 2005 - Contemporary Aesthetics 3.
Ready Player One? A Response to Ricksand.Andrew Kania - 2021 - Journal of Aesthetics and Art Criticism 79 (3):388-391.
The Argument from Extreme Difficulty in Video Games.Aderemi Artis - 2021 - Journal of Aesthetics and Art Criticism 79 (1):64-75.
Video Games as Mass Art.Grant Tavinor - 2011 - Contemporary Aesthetics 9.
Why Gamers Are Not Performers.Andrew Kania - 2018 - Journal of Aesthetics and Art Criticism 76 (2):187-199.

Analytics

Added to PP
2017-04-27

Downloads
114 (#186,387)

6 months
13 (#240,301)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Stephanie Patridge
Otterbein College

Citations of this work

Interactivity, Fictionality, and Incompleteness.Nathan Wildman & Richard Woodward - 2018 - In Jon Robson & Grant Tavinor (eds.), The Aesthetics of Videogames. New York: Routledge.
Still Self-Involved: A Reply to Patridge.Jon Robson & Aaron Meskin - 2017 - Journal of Aesthetics and Art Criticism 75 (2):184-187.
Playing with Art in Suits’ Utopia.Nathan Wildman & Alfred Archer - 2019 - Sport, Ethics and Philosophy 13 (3-4):456-470.
Self-Location in Interactive Fiction.Paal Fjeldvig Antonsen - 2021 - British Journal of Aesthetics 61 (1):41-52.
Virtual fictional actions.Karim Nader - forthcoming - Journal of Aesthetics and Art Criticism.

View all 6 citations / Add more citations

References found in this work

Video Games as Self‐Involving Interactive Fictions.Jon Robson & Aaron Meskin - 2012 - Journal of Aesthetics and Art Criticism 74 (2):165-177.
Video Games as Self-Involving Interactive Fictions.Jon Robson & Aaron Meskin - 2016 - Journal of Aesthetics and Art Criticism 74 (2):165-177.

Add more references