Abstract

Eighteenth-Century english scientists, Poets, And philosophers extended the meaning of 'distance' beyond a concept of space and time to include psychological and aesthetic meanings. Berkeley (1709), Priestley (1772), And thomas wedgwood (1818) showed that it was not a self-Evident idea but a complex intellectual construction. The poets denham (1655), Pope (1711), Dyer (1726), Collins (1747), Gray (1747), Campbell (1799) and wordsworth (1805-1827) used distance to represent a mental perspective, An aesthetic attitude, Nostalgia, Hope, Fancy, And imagination. Hume (1739), Hartley (1749), Adam smith (1761), Burke (1757), And blair (1783) discussed early versions of aesthetic distance. The expanding meaning of 'distance' corresponds with the changing understanding of space and time in the philosophies of locke, Hume, And kant. Distance provided the eighteenth century with a means of exploring the relationship between subjective and objective realms of experience