Abstract

This paper was inspired by Irigaray's suggestion that patriarchal discourse is essentially paranoid, based upon a repressed ambiguity and violence that continually threatens the unity and stability of the subject. Lewis Carroll's 'Locking-Glass World' is employed as the metaphor for a system of meaning that is in the process of breaking down and reveals its shadow side in chaos, violence and power struggles. It is argued that Alice represents an idealized feminine submission to the rules of patriarchal discourse that appears safe and stable but renders the subject powerless to effect change. I contrast this with the encouragement neo-paganism gives its practitioners to construct alternative magical metaphors and to learn through experience. It is valuable for feminist theologians to privilege these flexible techniques in order to avoid the straitjacket of reifying discourse. The article makes the point that the mystical experience is anyway grounded in that which transcends language, and the excess of the mystic finds its expression best in an abundance of meaning and symbol. Irigaray and feminist neo-pagans can in their various ways serve as role models in the process of renegotiating Wonderland and creating a new 'Alice'.