Abstract

Though Derrida had often appealed to the notion of le reste, in works ranging from Glas to Shibbloth to Cinders, it was not until his 2002 essay Reste – le maître that he would devote an entire work to the topic. In this essay, I look at a few of Derrida's early attempts to think le reste, particularly in relationship to poetry in ‘Che cos'è la poesia?’ before concentrating on Reste – le maître. I show that it is only in this latter work that Derrida develops a full ‘theory’ of le reste as a ‘quasi-transcendental’ along the lines of différance or, indeed – and Derrida himself makes the comparison – the ‘Good beyond being’ in Plato and Plotinus. But it is also in this latter text that Derrida uses the notion of the reste to suggest a relationship, an analogy, between the logic of sacrifice and mastery in Western onto-theology and the logic of sacrifice and mastery in the Brahmin culture of India. As such, I suggest in conclusion, le reste is perhaps the most suggestive and the most powerful notion in all of Derrida's work for thinking today the relationship between deconstruction and the rest of the world.