Abstract

Drawing on contexts of critical theory offered by Simone de Beauvoir, Herbert Marcuse, and Angela Davis, this article argues that Alain Locke’s theory of valuation should be of interest to theorists who apprehend struggle as a process of desire. Locke’s value theory with its classification of “form-feelings” may be used to develop appreciation for value’s genealogical dependence on desire. This has consequences for theorizing the challenges faced by liberation from oppressive structures. A case study is provided from popular film.