- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Some semiotic problems of Krzysztof Penderecki's sonoristic style
In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 4--73 (1996)
Abstract
This article has no associated abstract. (fix it)Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
A semiotic approach to computer assisted composition.Francesco Giomi & Marco Ligabue - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 4--321.
Semiotic processes in music: Systemics and modelization in.Mlchele Ignelziand Paolo Rosato - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 151.
Values and their cognition in the semiotic theory of Charles S. Peirce.Ma Ciej Jablonski - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 83.
Musical semiotics in growth.Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) - 1996 - Imatra: International Semiotics Institute.
Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and Ontology.Cynthia M. Grund - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 55--71.
Some Greimasian concepts as applied to the analysis of film music.Ennio Simeon - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 4--347.
Theorizing Musical Performance, Performing Semiotic Theory.Vincent Colapietro - 2007 - Semiotics:57-64.
The sign and music: A reflection on the theoretical bases of musical semiotics.Rosario Mirigliano - 1995 - In Eero Tarasti (ed.), Musical signification: essays in the semiotic theory and analysis of music. New York: Mouton de Gruyter. pp. 121--43.
Musical semiosis and the rasa theory.José Luiz Martinez - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 99.
Musical signs in Death in Venice by.Benjamin Britten - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 4--473.
Analytics
Added to PP
2014-01-28
Downloads
3 (#1,729,579)
6 months
24 (#121,857)
2014-01-28
Downloads
3 (#1,729,579)
6 months
24 (#121,857)
Historical graph of downloads
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-68866f4b87-zhzfn uwo