Musical semiotics in growth

, & (eds.)
Imatra: International Semiotics Institute (1996)
  Copy   BIBTEX

Abstract

(by a semiotician) EERO TARASTI A semiotic interpretation of the two last centuries in the history of Western art music is in many respects a challenging ...

Categories

Keywords

Reprint years

Call number

ML3845.M9755 1996

ISBN(s)

0253329493

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,219

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Chapters

Musical signs in Death in Venice by.Benjamin Britten
A model of development of the socio-cultural sphere.O. Danilova & Ye Pokorskaya
Les techniques de la narration aux origines de 1'opera: isotopies et strategies narratives dans.Fabienne Desquilbe
Analysis and fantasy from the viewpoint of the interpersonal hypothesis of musical semantics: An attempt at analysis.Jarmila Doubravova
A semiotic approach to computer assisted composition.Francesco Giomi & Marco Ligabue
Survie ou renouveau?Marta Grabocz
The role of semiotical terminology in musical analysis.Márta Grabócz
Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and Ontology.Cynthia M. Grund
Values and their cognition in the semiotic theory of Charles S. Peirce.Ma Ciej Jablonski
Quelles perspectives sociologiques pour une sémiotique de la musique.Jean-Marie Jacono
Musical semiosis and the rasa theory.José Luiz Martinez
Some semiotic problems of Krzysztof Penderecki's sonoristic style.Danuta Mirk
La lecture du sens dans les oeuvres polysemiotiques.Pa Trick Fa Rfa Ntoli
Vers une conception pluraliste de 1'analyse musicale.Alfonso Padilla
Semiotic processes in music: Systemics and modelization in.Mlchele Ignelziand Paolo Rosato
Some Greimasian concepts as applied to the analysis of film music.Ennio Simeon
The analysis of a holy song.Willem Marie Speelman
Narratives of self-consciousness in Proust and Beethoven.Michael Spitzer

Similar books and articles

The music between us: is music a universal language?Kathleen Marie Higgins - 2012 - London: University of Chicago Press.
Signs of music: a guide to musical semiotics.Eero Tarasti - 2002 - New York: Mouton de Gruyter.
Musical signification: essays in the semiotic theory and analysis of music.Eero Tarasti (ed.) - 1995 - New York: Mouton de Gruyter.
Myth and music: a semiotic approach to the aesthetics of myth in music, especially that of Wagner, Sibelius and Stravinsky.Eero Tarasti - 1979 - The Hague: Mouton.
The battle of Chronos and Orpheus: essays in applied musical semiology.Jean Jacques Nattiez - 2004 - New York: Oxford University Press.
A Theory of Musical Narrative.Byron Almén - 2008 - Bloomington: Indiana University Press.
The quest for voice: on music, politics, and the limits of philosophy: the 1997 Ernest Bloch lectures.Lydia Goehr - 1998 - New York: Oxford University Press.
Roger North's The musicall grammarian: 1728.Roger North - 1990 - New York: Cambridge University Press. Edited by Mary Chan & Jamie Croy Kassler.
The problem of musical expression.Erich Sorantin - 1932 - Nashville, Tenn.: Marshall & Bruce Co..
Musical semiotics revisited.Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) - 2003 - Imatra: International Semiotics Institute.

Analytics

Added to PP
2009-01-28

Downloads
70 (#225,606)

6 months
17 (#132,430)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references