Abstract

The aim of this paper is to discuss the role played by Plato in The Birth of Tragedy and the extent to which Nietzsche's position in this work would have an echo in his Lectures on Plato, presented from 1871 to 1876 at the University of Basel. It analyzes Plato's image as someone who, being both a philosopher and an artist, allows us to bring into question the assumed boundaries between art and philosophy, while also making us think whether the arising philosophy in Greece could be thought of as a form of art that denies itself from within.