Intents and purposes: philosophy and the aesthetics of improvisation

Ann Arbor: University of Michigan Press (2019)
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Abstract

Introduction: why an ontology of jazz? -- What does the law hear? James Newton and the Beastie Boys -- Intentions, agency, and improvisation: from machines to the imaginary -- It ain't over till it's over: work completion in improvised music -- Paris, 1969: musical understanding, genres, and aesthetic denseness -- My favorite things: performance, paraphrase, and representation.

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ML3800.L663 2019

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9780472131303   0472131303
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