Abstract

Andrew Kania has attempted to argue for nihilistic fictionalism about musical works. This view combines an error theory about musical work discourse with the proposal that musical work discourse has a non-alethic value which warrants continued participation in it. In this paper, I argue that Kania fails to establish either component of nihilistic fictionalism. First, I elaborate and reject Kania’s attempt to establish fictionalism on the basis of a methodological proposal he calls ‘descriptivism’. I argue that the methodology is unpopular, unappealing and that the interest in its implications is unclear. What is worse descriptivism does not support fictionalism. I then elaborate and reject Kania’s attempt to establish fictionalism as the best theory compatible with nominalism. I argue that, even by Kania’s standards, eliminativist nominalism, materialist nominalism and materialist fictionalism are preferable to nihilistic fictionalism