Fictionalism about musical works

Canadian Journal of Philosophy 48 (2):266-291 (2018)
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Abstract

The debate concerning the ontological status of musical works is perhaps the most animated debate in contemporary analytic philosophy of music. In my view, progress requires a piecemeal approach. So in this article I hone in on one particular musical work concept – that of the classical Western art musical work; that is, the work concept that regulates classical art-musical practice. I defend a fictionalist analysis – a strategy recently suggested by Andrew Kania as potentially fruitful – and I develop a version of such an analysis in line with a broad commitment to philosophical naturalism.

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Author's Profile

Anton Killin
Bielefeld University

Citations of this work

Type Realism Reconsidered.Nurbay Irmak - 2023 - Journal of Aesthetics and Art Criticism:1-11.
Musical Works as Structural Universals.A. R. J. Fisher - 2023 - Erkenntnis 88 (3):1245-67.
Intuitions in the Ontology of Musical Works.Elzė Sigutė Mikalonytė - 2022 - Review of Philosophy and Psychology 13 (2):455-474.
The Polysemy Theory of Sound.Anton Killin - 2020 - Erkenntnis 87 (2):435-458.

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References found in this work

Word and Object.Willard Van Orman Quine - 1960 - Cambridge, MA, USA: MIT Press.
On the Plurality of Worlds.David K. Lewis - 1986 - Malden, Mass.: Wiley-Blackwell.
Individuals: An Essay in Descriptive Metaphysics.Peter F. Strawson - 1959 - London, England: Routledge. Edited by Wenfang Wang.
Individuals.P. F. Strawson - 1959 - Garden City, N.Y.: Routledge.

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