Abstract

So just what Dante scorns as unworthy alike of heaven and hell, Botticelli accepts, that middle world in which men take no side in great conflicts, and decide no great causes, and make great refusals.In what follows, I examine a notion of desire that, I shall claim, is implicit in Immanuel Kant's theorization of aesthetic judgment in the Critique of Judgment.1 At first, this undertaking is likely to seem misguided. After all, Kant grounds his attempt to provide an a priori foundation for judgment on the tripartite distinction between the faculty of cognition, the feeling of pleasure and displeasure, and the faculty of desire. Only the second of the three pertains to aesthetic judgment; and it...