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  1.  19
    Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit.Zhengmi Zhouhuang - 2016 - De Gruyter.
    Der sensus communis vermittelt Apriori und Aposteriori, Intellektualität und Sinnlichkeit, Inter- und Intrasubjektivität. Die Studie analysiert die Bedeutungen und Funktionen des Begriffs in Kants Gesamtwerk, wobei sie Kants Einteilung der Philosophie folgt: Sie untersucht den sensus communis logicus im theoretischen Bereich, den sensus communis aestheticus im ästhetischen Bereich und den sensus communis practicus im praktischen Bereich.
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  2.  97
    Beauty Makes Humanity: The Application of Kant’s Aesthetic Power of Judgment in Value Choice.Zhengmi Zhouhuang - 2022 - Kant Studien 113 (4):689-724.
    In this paper, I use Kant’s theory of the aesthetic power of judgment to solve the problem of nonmoral value choice, which Kant himself did not deal with, and prove that my reconstruction can fit into Kant’s philosophy and function as a harmonization and unification of morality and happiness. First, I revisit Kant’s early view of intellectualized happiness to establish the feasibility of this project in Kant’s ethics. Second, by analogy with the contemplative judgment of taste and practical artistic creation, (...)
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  3. Beauty as a Symbol of Morality.Zhengmi Zhouhuang - 2019 - In Das Selbst und die Welt - Denken, Handeln und Hoffen in der Klassischen Deutschen Philosophie. pp. 113-134.
    Kant uses the concept of the symbol to show the complicated relationship between the autonomy of beauty and its systematic function as a transition from nature to freedom, which are the two most important topics in the third Critique. Beauty’s symbolism of morality lies in the analog between aesthetic reflection and moral disposition; concretely, it lies in the purity or disinterestedness and self-legislation as negative and positive freedom in both subjective states of mind. In this scenario, beauty’s symbolism does not (...)
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  4. Turn from Sensibility to Rationality: Kant’s Concept of the Sublime.Zhengmi Zhouhuang - 2018 - In Stephen Palmquist (ed.), Kant on Intuition: Western and Asian Perspectives on Transcendental Idealism. New York: Routledge. pp. 179-191.
    Show more ▾ There are various dichotomies in Kant’s philosophy: sensibility vs. rationality, nature vs. freedom, cognition vs. morality, noumenon vs. phenomenon, among others. There are also different ways of mediating these dichotomies, which is the systematic undertaking of Kant’s Critique of the Power of Judgment. One of the most important concepts in this work is the sublime, which exemplifies the connections between the different dichotomies; this fact means the concept’s construction is full of tension. On the one hand, as (...)
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  5.  39
    Living Freedom: The Heautonomy of the Judgement of Taste.Zhengmi Zhouhuang - 2024 - Kantian Review 29 (1):81-102.
    Different from the autonomy of understanding in cognition and the autonomy of practical reason in praxis, the heautonomy in the judgement of taste is reflexive. The reflexivity consists not only in the fact that the power of judgement legislates to its own usage but also, and more importantly, it legislates to itself through its own operative process. This normativity, based on the self-referential structure of pure aesthetic judgement and the a priori principle of subjective, internal purposiveness, can be regarded as (...)
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  6.  13
    2. Erkenntnis – Der sensus communis logicus.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 13-37.
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  7. .Zhengmi Zhouhuang - unknown
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  8.  5
    Abkürzungsverzeichnis.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter.
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  9. Das Selbst und die Welt - Denken, Handeln und Hoffen in der Klassischen Deutschen Philosophie.Zhengmi Zhouhuang (ed.) - 2019
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  10.  5
    Einleitung.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 1-4.
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  11.  4
    Frontmatter.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter.
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  12.  3
    1. Historischer Hintergrund und Worterklärung.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 5-12.
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  13.  6
    Inhalt.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter.
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  14.  7
    Literaturverzeichnis.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 123-126.
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  15.  14
    3. Moralität – Der sensus communis practicus.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 38-76.
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  16. Personenregister.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 127-128.
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  17.  4
    Sachregister.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 129-132.
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  18.  9
    4. Schönheit – Der sensus communis aestheticus.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 77-114.
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  19.  25
    The Development of Kant’s Theory of Moral Feeling.Zhengmi Zhouhuang - 2017 - Con-Textos Kantianos 5:58-74.
    Kant’s critical theory on moral feeling can be divided into two stages: early and late. In the early stage, Kant was committed to accepting and transforming the traditional concept of moral feeling, while in the later stage he turned to developing his own unique theory on the topic. His beliefs about moral feeling changed between these two stages, both regarding the basic meaning of moral feeling and the function of moral feeling in moral philosophy. This paper argues that these shifts (...)
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  20.  5
    5. Zusammenfassung.Zhengmi Zhouhuang - 2016 - In Der Sensus Communis Bei Kant: Zwischen Erkenntnis, Moralität Und Schönheit. De Gruyter. pp. 115-122.
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