Abstract

Forget the technology, and ask instead about the sampler’s gesture. For a long time, like Mozart’s « Don Giovanni », all citation supposed an instrument, an orchestra. Then, with the first recording technology, came the possibility of using tape recorders or analog turntables. But ultimately, the gesture is the same: overtly drawing upon a work .for its creation. In itself, the act of pillaging is not condemnable. Better, the détournement of advertising and of those artists like Michael Jackson who flood our ears are indispensable acts of resistance and humour. Ariel Kyrou - the author of Techno Rebelle, Un Siècle de musiques électroniques , front which this « elegy to pillage » conies - prefers a scathing recycling to the recitals of the market, prefers the « loan » that one goes way beyond by rage and talent to the application of painless recipes for success