Enacting musical time: the bodily experience of new music

New York, NY: Oxford University Press (2020)
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Abstract

A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities.

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ML3850.K68 2020

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9780190080204   0190080205
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Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.

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