Biology and Philosophy 29 (4):597-609 (2014)

Authors
Anton Killin
Australian National University
Abstract
This essay reviews Iain Morley’s The Prehistory of Music, an up-to-date and authoritative overview of recent research on evolution and cognition of musicality from an interdisciplinary viewpoint. Given the diversity of the project explored, integration of evidence from multiple fields is particularly pressing, required for any novel evolutionary account to be persuasive, and for the project’s continued progress. Moreover, Morley convincingly demonstrates that there is much more to understanding musicality than is supposed by some theorists. I outline Morley’s review of the archaeological and ethnographic literature, and then go on to critique his assessment of philosophical and evolutionary theories, offering some alternative perspectives that might better benefit his project
Keywords Musicality  Evolution of music  Philosophy of music  Palaeoanthropology  Music archaeology  Ethnomusicology  Evolutionary aesthetics
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DOI 10.1007/s10539-014-9438-y
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