Abstract

The most interesting theme of the anthology is whether or not there is an essentially unique, or at least historically discernible "feminine" quality to women's artwork, and if so, what it might be. Authors include Elisabeth Link, Silvia Bovenschen, and Heidi Gottner-Abendroth. This book, written intentionally and recognizably in the female voice, while somewhat more germane to a European-oriented audience, makes a long-awaited and significant contribution to the theory of art and art criticism.