Kierkegaard Studies Yearbook 24 (1):29-58 (2019)

Alexander Jech
University of Notre Dame
The goal of Fear and Trembling is to illuminate the difficulty of faith. At an important juncture, he claims that both types of knight are dancers, but only the knight of faith can dance perfectly, doing what perhaps no dancer can do: he does not “hesitate” in the moment between landing from his leap and assuming the position from which to reengage with finitude. This analogy has been given small attention in the literature. Given Kierkegaard’s surprisingly precise grasp of classical ballet’s vocabulary and aesthetic, I examine how these provide him additional power to clarify the difference between faith and resignation.
Keywords Kierkegaard  Dance  Fear and Trembling
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Reprint years 2019
DOI 10.1515/kierke-2019-0002
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Kierkegaard's Fear and Trembling: A Critical Guide.Daniel Conway (ed.) - 2015 - Cambridge University Press.
Ii. Introduction to a Reappraisal of Fear and Trembling.Paul Dietrichson - 1969 - Inquiry: An Interdisciplinary Journal of Philosophy 12 (1-4):236 – 245.


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